Dexliers,Famous Fabric

The PM said the Opposition tried to “create a scare” of him by “telling people this or that will happen if he comes here, but people reposed faith in me”.In its counter-attack, the Congress raised the spectre of the 2002 communal carnage in Gujarat, saying, “In 2002 the BJP government in Gujarat didn’t heed the advice of its own party’s Prime Minister, Atal Behari Vajpayee. Today, on the same day, the Congress party is giving a lecture on the issue of tolerance.” end-of Location: India, Bihar, Patna. Their wounds have not healed and you are doing this dramebaazi on November 2,” he said at an election rally in Purnea. Moody has appreciated Modi.

Their plan to meet the President of India protesting against intolerance is the joke of the decade.Taking a dig at the JD(U) and RJD, the PM thanked both, saying the 40 seats given to the Congress to contest will be bagged “uncontested” by the NDA. Naturally, caution has to be kept in mind. Venkaiah Naidu said, “Congress talking about intolerance is like the devil quoting scripture.”Bringing up the Emergency, the 1984 anti-Sikh riots, the mass exodus of Kashmiri Pandits and the “well-publicised killings of individuals for ideological reasons in Kerala”, the Union minister wondered why many of these intellectuals were silent then.Senior BJP leader and Union minister M. His remarks came a day after Congress president Sonia Gandhi voiced concern about intolerance.On rating agency Moody’s warning to the government that India may lose credibility if such incidents continue, Mr Naidu said, “They have given caution. The BJP maintained that the Congress and intellectuals close to it had launched a “malicious campaign” against the PM and the ruling party “as for the first time since Independence an alternative world view was being spread by the BJP”.Mr Modi said while he talked of uplifting Bihar through development, the grand alliance leaders tried to enact a “drama” and gave “casteist colour” to the Assembly polls by spreading “imaginary fears” about a move to scrap quotas. The tears in the eyes of the Sikh victims have not yet dried.

This does not behove you. The Congress leadership is also holding a protest Parliament Rashtrapati Bhavan on November 3 against growing incidents of intolerance and attacks on rationalists. Do you recall 1984 Lakhs of Sikhs were massacred Wholesale jacquard fabric in Delhi and across India on the second, third and fourth day of Indira Gandhi’s killing in which serious allegations were made against the Congress and its leaders. The PM also accused the grand alliance leaders of playing with the nation’s security by “sheltering” those promoting terror and asked if such people should be allowed to form a government in the state. Doob maro, doob maro (drown in shame). That’s why I am cautioning these people who are trying to tar the image (of India). Speaking at a rally in Bihar, Mr Modi, in a stinging attack, asked the Congress whether they “recall” the 1984 anti-Sikh riots. Modi should look into his own backyard before accusing others.”Accusing the PM of doing “lasting damage” to India’s social fabric by “selective targeting of the minority community”, Congress leader Anand Sharma claimed Mr Modi’s remarks at the Purnea rally were “politically motivated and mischievous” and aimed at reopening wounds after 31 years. Congress and its political friends are intolerant of the people’s mandate.PM ‘recalls’ 1984 Sikh riots Prime Minister Narendra Modi during an election rally in Darbhanga, Bihar, on Monday.

He hurled the “Darbhanga module” jibe at Bihar chief minister Nitish Kumar, saying it was the outcome of the ineffectiveness of the CM and his government. (Photo: PTI) PM ‘recalls’ 1984 Sikh riots Even as the Opposition and the intelligentsia wanted Prime Minister Narendra Modi to speak up on the issue of growing intolerance in the country, he did so in his own style, hitting back at the Opposition Congress by raising the 1984 anti-Sikh riots. The final phase of polling is scheduled on November 5 when 57 Assembly constituencies in the minorities-dominated Seemanchal region will go to polls.“Today is November 2. In a counter-attack, the Congress accused him of causing “lasting damage” to the country’s social fabric and said his remarks were “politically motivated” and aimed at reopening wounds after 31 years.

Although the traditional ones are made at home using old sarees and the iconic kantha stitch, Mahamaya Sikdar from Running Stitch is trying to add some art to the basic. We have textile jewelleries, which is basically made from scrap fabric. Everything is made by running stitch and for a designer look, we add French knots,” she says. Talking about encouraging craftsman to upgrade their skill, Nandita says, “I have to find a way to highlight their skill. end-of mahamaya sikdar, crafts, sholapith. So the skill is becoming something he can earn from. This exhibition is a perfect balance of traditional and contemporary under one roof. We do block prints and tie-dry but we’re trying to give it a contemporary look to appeal to the masses. Whereas on the other hand, 145 East Brand is creating contemporary clothing out of scrapes of Gamcha, a kind of towel, and combining them with elements of saree. Giving a little more details about the products Shuli Ghosh says, “For the textiles, we mostly use fabrics associated with Bengal, things that are made there in the handloom. This craft has been passed down through the generations and I’m the sixth generation practicing this. Spandex Fabric suppliers  An exhibition brings together the best of West Bengal and showcases both traditional crafts and modern designs.THE ASIAN AGE.” Sholapith comes from a seaweed which is dried and the bark is shaved off, leaving them with a white cork like material which the craftsmen carve into fine sheets and fold them to create delicate crafts. “Jewellery is all from recycled materials. From artists creating delicate flowers masks of deities using Sholapith to a more advanced version of it framed as a wall art.”

A very sustainable approach to designing, Shuli uses the scrap fabric to make accessories out of them.” Mahamaya SikdarAnother Bengali staple, especially during the winter season, is the humble blanket.” The combination of metal with fabric gives the jewelleries a very semi-traditional look. We combine a few metals such as dokra, which is used for most traditional kind of jewelleries, but we try to make it into more modern shapes. So from one flower, he can make 25 to 50 bucks maximum, but if it becomes a wall art someone can buy it for 10,000 rupees. Arist giving live demo. We also give different silhouettes and cuts to it to make them more modern.A lot of fusion work is also on display at the exhibition as you could see baby wear clothes made out of a combination of Muslin and traditional Jamdani fabric.Another interesting display was from Sienna, which has gone from ceramics to textile as well as accessories. Talking about his art, artist Madhumangal Malakar working with Sholapith for over 4 years says, “My work is completely based on the ritualistic use of Shola and not for fine art. These items are used for worship, whereas these masks are used for Annaprashana, some are used during wedding ceremonies and also displayed at new homes. Bringing the traditional Bengali crafts under one roof Nandita Palchoudhuri curated an exhibition with the best artisans from the east. But to keep the art alive, we need to sell and earn money. We use copper as well to make earring or bracelet and sometimes also combine it with ceramic. While Madhumangal only deals with traditional Sholapith work, another artist uses the same material to create intricate wall art. “We basically make traditional kantha (blanket) but are also trying to add some contemporary patterns.” Some of her intricate pieces take up to a couple of years to complete. We also started printing in our own workshop in Shantiniketan. We don’t like to waste so upcycling is our thing. Talking about the sentimental value behind kantha, Mahamaya says, “In earlier days, people would make Kantha for their loved ones, it happened across generations, our grandmother would give us Kanthas.

Although the traditional ones are made at home using old sarees and the iconic kantha stitch, Mahamaya Sikdar from Running Stitch is trying to add some art to the basic. We have textile jewelleries, which is basically made from scrap fabric. Everything is made by running stitch and for a designer look, we add French knots,” she says. Talking about encouraging craftsman to upgrade their skill, Nandita says, “I have to find a way to highlight their skill. end-of mahamaya sikdar, crafts, sholapith. So the skill is becoming something he can earn from. This exhibition is a perfect balance of traditional and contemporary under one roof. We do block prints and tie-dry but we’re trying to give it a contemporary look to appeal to the masses. Whereas on the other hand, 145 East Brand is creating contemporary clothing out of scrapes of Gamcha, a kind of towel, and combining them with elements of saree. Giving a little more details about the products Shuli Ghosh says, “For the textiles, we mostly use fabrics associated with Bengal, things that are made there in the handloom. This craft has been passed down through the generations and I’m the sixth generation practicing this.  Spandex Fabric suppliers An exhibition brings together the best of West Bengal and showcases both traditional crafts and modern designs.THE ASIAN AGE.” Sholapith comes from a seaweed which is dried and the bark is shaved off, leaving them with a white cork like material which the craftsmen carve into fine sheets and fold them to create delicate crafts. “Jewellery is all from recycled materials. From artists creating delicate flowers masks of deities using Sholapith to a more advanced version of it framed as a wall art.”

A very sustainable approach to designing, Shuli uses the scrap fabric to make accessories out of them.” Mahamaya SikdarAnother Bengali staple, especially during the winter season, is the humble blanket.” The combination of metal with fabric gives the jewelleries a very semi-traditional look. We combine a few metals such as dokra, which is used for most traditional kind of jewelleries, but we try to make it into more modern shapes. So from one flower, he can make 25 to 50 bucks maximum, but if it becomes a wall art someone can buy it for 10,000 rupees. Arist giving live demo. We also give different silhouettes and cuts to it to make them more modern.A lot of fusion work is also on display at the exhibition as you could see baby wear clothes made out of a combination of Muslin and traditional Jamdani fabric.Another interesting display was from Sienna, which has gone from ceramics to textile as well as accessories. Talking about his art, artist Madhumangal Malakar working with Sholapith for over 4 years says, “My work is completely based on the ritualistic use of Shola and not for fine art. These items are used for worship, whereas these masks are used for Annaprashana, some are used during wedding ceremonies and also displayed at new homes. Bringing the traditional Bengali crafts under one roof Nandita Palchoudhuri curated an exhibition with the best artisans from the east. But to keep the art alive, we need to sell and earn money. We use copper as well to make earring or bracelet and sometimes also combine it with ceramic. While Madhumangal only deals with traditional Sholapith work, another artist uses the same material to create intricate wall art. “We basically make traditional kantha (blanket) but are also trying to add some contemporary patterns.” Some of her intricate pieces take up to a couple of years to complete. We also started printing in our own workshop in Shantiniketan. We don’t like to waste so upcycling is our thing. Talking about the sentimental value behind kantha, Mahamaya says, “In earlier days, people would make Kantha for their loved ones, it happened across generations, our grandmother would give us Kanthas.

Although the traditional ones are made at home using old sarees and the iconic kantha stitch, Mahamaya Sikdar from Running Stitch is trying to add some art to the basic. We have textile jewelleries, which is basically made from scrap fabric. Everything is made by running stitch and for a designer look, we add French knots,” she says. Talking about encouraging craftsman to upgrade their skill, Nandita says, “I have to find a way to highlight their skill. end-of mahamaya sikdar, crafts, sholapith. So the skill is becoming something he can earn from. This exhibition is a perfect balance of traditional and contemporary under one roof. We do block prints and tie-dry but we’re trying to give it a contemporary look to appeal to the masses. Whereas on the other hand, 145 East Brand is creating contemporary clothing out of scrapes of Gamcha, a kind of towel, and combining them with elements of saree. Giving a little more details about the products Shuli Ghosh says, “For the textiles, we mostly use fabrics associated with Bengal, things that are made there in the handloom. This craft has been passed down through the generations and I’m the sixth generation practicing this.  Spandex Fabric suppliers An exhibition brings together the best of West Bengal and showcases both traditional crafts and modern designs.THE ASIAN AGE.” Sholapith comes from a seaweed which is dried and the bark is shaved off, leaving them with a white cork like material which the craftsmen carve into fine sheets and fold them to create delicate crafts. “Jewellery is all from recycled materials. From artists creating delicate flowers masks of deities using Sholapith to a more advanced version of it framed as a wall art.”

A very sustainable approach to designing, Shuli uses the scrap fabric to make accessories out of them.” Mahamaya SikdarAnother Bengali staple, especially during the winter season, is the humble blanket.” The combination of metal with fabric gives the jewelleries a very semi-traditional look. We combine a few metals such as dokra, which is used for most traditional kind of jewelleries, but we try to make it into more modern shapes. So from one flower, he can make 25 to 50 bucks maximum, but if it becomes a wall art someone can buy it for 10,000 rupees. Arist giving live demo. We also give different silhouettes and cuts to it to make them more modern.A lot of fusion work is also on display at the exhibition as you could see baby wear clothes made out of a combination of Muslin and traditional Jamdani fabric.Another interesting display was from Sienna, which has gone from ceramics to textile as well as accessories. Talking about his art, artist Madhumangal Malakar working with Sholapith for over 4 years says, “My work is completely based on the ritualistic use of Shola and not for fine art. These items are used for worship, whereas these masks are used for Annaprashana, some are used during wedding ceremonies and also displayed at new homes. Bringing the traditional Bengali crafts under one roof Nandita Palchoudhuri curated an exhibition with the best artisans from the east. But to keep the art alive, we need to sell and earn money. We use copper as well to make earring or bracelet and sometimes also combine it with ceramic. While Madhumangal only deals with traditional Sholapith work, another artist uses the same material to create intricate wall art. “We basically make traditional kantha (blanket) but are also trying to add some contemporary patterns.” Some of her intricate pieces take up to a couple of years to complete. We also started printing in our own workshop in Shantiniketan. We don’t like to waste so upcycling is our thing. Talking about the sentimental value behind kantha, Mahamaya says, “In earlier days, people would make Kantha for their loved ones, it happened across generations, our grandmother would give us Kanthas.

“A revolution is happening in the textile industry,” said Volakis, who is also the Roy & Lois Chope Chair Professor of Electrical Engineering at Ohio State. The technology could lead to shirts that act as antennas for your smart phone or tablet. A milestone for wearable electronicsclothes that receive and transmit digital information are closer to reality. The researchers substitute the thread with fine silver metal wires that, once embroidered, feel the same as traditional thread to the touch.1 mm precision — the perfect size to integrate electronic components such as sensors and computer memory devices into clothing. “We believe that functional textiles are an enabling technology for communications and sensing — and one day even medical applications like imaging and health monitoring.AGE CORRESPONDENT Published: Apr 15, 2016, 11:18 pm IST Updated: Apr 15, 2016, 11:18 pm IST A milestone for wearable electronicsclothes that receive and transmit digital information are closer to reality.”—Source: eurekalert. The idea is to make brain implants, which are under development to treat conditions from epilepsy to addiction, more comfortable by eliminating the need for external wiring on the patient’s body.In Volakis’ lab, the functional textiles, also called “e-textiles,” are created in part on a typical tabletop sewing machine — the kind that fabric artisans and hobbyists might have at home. With new patents pending, they published the new results in the journal IEEE China Polyester Knitted Fabric Suppliers Antennas and Wireless Propagation Letters.Researchers, who are working to develop wearable electronics, have reached a milestone: They are able to embroider circuits into fabric with 0.

“We started with a technology that is very well known--W machine embroidery — and we asked, how can we functionalise embroidered shapes How do we make them transmit signals at useful frequencies, like for cell phones or health sensors ” Volakis said.org end-of.That last item is one that John Volakis, director of the ElectroScience Laboratory at Ohio State, and research scientist Asimina Kiourti are investigating.”Recently, he and Kiourti refined their patented fabrication method to create prototype wearables at a fraction of the غير مجاز مي باشدt and in half the time as they could only two years ago. “Now, for the first time, we’ve achieved the accuracy of printed metal circuit boards, so our new goal is to take advantage of the precision to incorporate receivers and other electronic components.With this advance, the Ohio State University researchers have taken the next step toward the design of functional textiles —clothes that gather, store, or transmit digital information. Like other modern sewing machines, it embroiders thread into fabric automatically based on a pattern loaded via a computer file. With further development, the technology could lead to shirts that act as antennas for your smart phone or tablet, workout clothes that monitor your fitness level, sports equipment that monitors athletes’ performance, a bandage that tells your doctor how well the tissue beneath it is healing — or even a flexible fabric cap that senses activity in the brain

He said there was poor enforcement of pollution control laws. He said air pollution in Delhi has been going up during the past few winter months, leading to unprecedented levels due to adverse weather conditions etc in the NCR. But still, 6,168 e-rickshaw owners did not avail of the facility.Mr Maken said, shockingly, India generates around 5.94 crore is the balance amount lying with the Delhi Government. He said that India had 14 of the world’s 15 worst cities for dirty air in a recent WHO survey-2018. Published: Jun 6, 2018, 6:06 am IST Updated: Jun 6, 2018, 6:08 am IST This figure includes the units in whose case the direction of closure was revoked later on. He said that India is the global host of this year’s World Environment Day and “Beat Plastic Pollution” is the central theme of this event, but as a responsible Opposition, the Congress was highlighted how air and environment pollution levels have been getting worse with every passing day in Delhi.75 crore per bus in Bengaluru.5 crore per electric bus.The EPCA also referred to the AAP government’s “past track record” of inducting conventional CNG buses, which was nothing to gloat about. The EPCA had then informed the Supreme Court that the Delhi government was preparing the launch of the electric buses without any preparation.As on 31-3-2018, Rs 181.Mr Maken said that though the government had presented a “Green Budget” this year, it had not taken any steps to control pollution in the national capital.He said plastic bags were still the staple for carrying vegetables, fruit, meat and restaurant take always. Ajay Maken New Delhi: Delhi Pradesh Congress Committee president Ajay Maken on Tuesday said that there was a scam of Rs 750 crore in the proposal of the Aam Aadmi Party (AAP) government to purchase 1,000 electric buses for the city. He said the government was going to spend much more per one electric bus than any other city in the country.Addressing a press conference, Mr Maken said that the Supreme Court-monitored Environment Pollution Control Authority (EPCA), in its recent report, has recommended that the court should not clear the government proposal in Delhi as it lacks detailing. end-of Tags: ajay maken, supreme court, epca. The metro ridership has come down after the Kejriwal government hiked the metro fares twice in a year.Mr Maken said the EPCA, headed by Bure Lal, had informed the Supreme Court about the extra Rs 750 crore that the AAP government would be wasting on buying the electric buses, which was a serious issue.

He said the air quality index of Delhi is worse even in summer.THE ASIAN AGE.He said the government, in its affidavit submitted to before Supreme Court, had stated that each bus would wholesale Pedal assist electric scooter غير مجاز مي باشدt Rs 2. He said while in winter people are breathing pollutants equalling 42 cigarettes, during this summer they breathe pollutants equivalent to 7 to 8 cigarettes cigarette smoking. He said the Congress will take up with the BJP government at the Centre and the AAP government in Delhi to take strict action at the production and consumption levels of plastic by enforcing the law strictly.He said the previous Congress government had banned plastic in Delhi through a law in 2009 and later expanded it to all plastic packaging and single-use disposable plastic, but the ban is rarely enforced.5 crore while the Congress government in Karnataka had bought electric buses for Rs 1. Out of the 312 closure directions in 2017-18 by the DPCC, 64 units were effectively closed.Mr Maken said that the EPCA had wondered from where did the AAP government arrived at the figure of Rs 2. He said the ambitious Phase IV of the metro project has been stuck for over a year with the Delhi government due to “financial reasons”, though the DPR of the project was cleared in July 2014.This figure includes the units in whose case the direction of closure was revoked later on. He said this clearly shows that there is a Rs 750 crore scam in the Delhi government’s move to purchase 1,000 electric buses, as the Kejriwal government has given inflated figures in its affidavit to the apex court.6 million plastic waste annually, and, as per government figures, Delhi is the worst city for plastic consumption.The Congress leader said despite the demand for more DTC buses, there has been no addition to its fleet during the three years of the Kejriwal government. The Congress leader said that the government has to release subsidies to e-rickshaw owners from ‘air ambience fund’.Mr Maken said that Delhi Maintenance and Management Parking Rules, 2017, prepared by the transport department last year, had to come into force by October 2017, but this policy was nowhere near implementation. During 2016-17, the Delhi Pollution Control Committee had issued 10,797 show cause notices for the closure of under water, air, environment Act, which was reduced to 803 in 2017-18.

The reasons are not far to seek. Textiles and tribal art from Madhya Pradesh being a case in point.The thread employed in embroidery is usually of wool or silk, the latter being more frequently used than wool, which is confined almost exclusively to the productions of crewel work of Kashmir. Ditto for art and wearable art from the North-East states., and in garments used for ceremonial occasions. Two, I feel that the innate sense of design that evolved over a vast period of time developed to near perfection as a background for the contemporary artists to work from or rather take off from.The use of gold and silver thread for embroidery is perhaps the oldest form of embroidery.Dr Alka Raghuvanshi is an art writer, curator and artist and can be contacted on alkaraghuvanshi@yahoo.A general view of the most important styles of embroidery will also reveal that though needle-work is usually associated with the feminine finger, this great art owes much to the masculine skill. This is true of other parts of India too. This includes all plain textiles from the loom, which receive their decoration and final treatment at the hands of the dyer, the printer or the embroiderer. Embroidered garments and needles are mentioned in Vedic texts and the art still flourishes in all parts of India. Kashmiri wool embroidery It is my theory that most indigenous art or paintings of civilized communities have roots in their textiles.| ALKA RAGHUVANSHI Published: Jul 28, 2016, 2:28 am IST Updated: Jul 28, 2016, 2:28 am IST It is my theory that most indigenous art or paintings of civilized communities have roots in their textiles. In India, textile weaving developed as an independent art, and may be divided into two groups; the first group consists of fabrics, which are provided with artistic treatment when on the loom and the second consists of textiles in which artistic treatment are given subsequent to the weaving.The traditional ‘zardozi’ is prepared with the use of salma, sitara (prepared out of twisted gold thread and sequins), gijai, and the crinkled badla silver or gold flat wires and round-shaped sequins known as katori, which are used also with pearls and semi-precious stones. Another interesting variation, named after the particular style of work in which it is employed, is the phulkari stitch from Punjab, which is purely and simply a darning stitch done entirely from the back, that is, from the wrong side of the fabric. The reasons are not far to seek. The art attained its highest development in northern and north-western India, and is probably more developed among the people of the hills than among those who live in the plains — perhaps as it requires little elaborate paraphernalia, often nothing, save a needle and coloured threads. A charming addition is the mukaish work popular in Lucknow, which entails piercing a flat wire into the cloth and using it to create the design. In the case of India, where we are still fortunate enough to have both the streams of tribal art and weaving still surviving, art emanating from those regions is palpably influenced. Gold or silver threads are also widely used, particularly in hangings, trappings, etc. For one, the textile forms have a long history dating back to the Harappan civilization, with a madder red piece of linen having being found in the excavations proving my contention. Embroidery or the decoration of woven fabrics with coloured threads with a needle is probably one of the oldest arts in the world. The embroiderer usually colours his own thread according to his own ideas of the desired design. Gold thread embroidery is known in northern India as Kamdani. One has to just look at tribal or aboriginal art from all across the globe and the linkages are evident. In India, it dates back from the remotest period of history.

The field that embroidery occupies in India is most extensive, and ranges from the simplest yet charming-bone patterns of the aborigines to the elaborate figure compositions of Chamba to the intricate chikan work of Lucknow or the delicate kasuti from Karnataka or the intricate patterns from both Kutch and Kashmir. In Kashmir and Kutch, the two regions most famed for artistic needle-work, it is the men who are involved in this art. The same format is used for pitta (pitta from pitna or hitting) work as well, wherein the created design is flattened or beaten with a wooden mallet to create a flat style. Indeed, it is easy to see why embroidered work has greater individual component when one compares with the shuttle and needle.Since embroidery is a process carried out only after the cloth leaves the loom, much of the restraint involved in weaving a pattern on Polyester Knitted Fabric factory the loom is removed.Countless variations abound and this at best the literal point of the needle and just as an interesting study or playful joy, may I request you to look at the work of artists from a specific region and match their work to the popular forms of embroidery from there, and I promise, you will be surprised at the linkages. A double satin stitch employed in the production of the Chamba Rumal may also be regarded as a typically Indian device to fill in large spaces and to make the decoration appear identical on both sides of the fabric.Since I am often overtly partial to the woven fabric, only for a change I will talk about the needle art as a form that deserves attention. Hence, it is found to possess individualities and characteristics of great beauty and interest. The origin of the gold thread artwork is said to be from Asia. Silk thread, to be adequate for purpose of decoration, has to pass through several simple processes from the raw to the finished state. In India, even today, different types of embroideries are prepared with the use of gold thread.com end-of

The machine, by then copied the password and the data from the card’s magnetic strip. While one of the approached shopkeepers who suspected something fishy informed us, complicity of others where such machines were used cannot be ruled out. Once a debit/credit card is swiped and the relevant amount and password entered, the machine displayed an error. The police are probing the accused persons’ use of middlemen to convince certain shopkeepers who kept the PoS terminals. The police recovered cash worth two lakh from them.. Based on information a LCB team led by PSI Srikant Karande under the supervision of Senior Police Inspector, Vyenkat Andhale and API Pramod Badakh laid a trap near Hotel Shubam in Mira road and arrested the cyber criminals identified as Kamal Usman Khan, Richard Ronald Maago (Nigeria), Hillary Esther Kegan (Kenya) and Sandrick Sam Daamba (Uganda). Explaining the modus operandi, PSI Karande said, “The accused with the Nylon Spandex Fabrics suppliers help of middlemen offered lucrative incentives to install such card skimmers, which look similar to a Point of Sale (PoS) machine.

” The cards were used for withdrawals twice a little before and minutes past midnight.”He said, “This data was later used to make duplicate cards and steal money. Apart from cash amounting more than two lakh, the LCB team recovered skimmers, laptop and scores of blank debit/credit cards from their possession. The accused have been handed over to the Mira Road police that is ascertaining the role of POS owners that allowed such illegalities.Mumbai: The local crime branch (LCB) unit of the Thane (rural) police apprehended four people including three African nationals who installed dummy card swiping machines at several point of sales (PoS) terminals to extract data and pin numbers which they later used for fraudulent transactions